By Hanson Meyer
Our band typically
recorded every practice on cassette, and early on I had also procured a reel to
reel tape recorder that we used to record our earliest demos. All of our early recordings
with the exception of this one that I found were lost when I moved to San Diego
in 1986. I had been moving all day and arrived exhausted at my new place late
at night. I decided to unload my car in the morning which proved to be a major
mistake as my car was broken into that night and everything was stolen. The
only things that survived were the items that I unknowingly left behind at my
dad’s house in this particular box. My dad gave me the box years later and I
just shoved it into a closet where it waited for me to get to it later.
The following is a
reconstruction of my life during the formation of Uniform Choice and the time I
spent writing songs and playing bass for the band based on my memory, my daily
diaries and other information I found in the box.
Original Line-Up of Uniform Choice Left to Right: Myke Bates, Eric Hanna, Hanson Meyer, Elliott Colla |
---------------------------------
Sticker from Bate Skates |
Myke Bates playing with Black Flag in Palm Springs, 1981 |
Rodney on the ROQ, Volume 2 |
Early Subservice Flyer from 1981 |
We bonded immediately and started hanging out in Balboa
regularly talking about our favorite bands and the shows that we had been to. I
began to think that he might be a good addition to Moral Sin because we had
lost our original singer and we were having problems finding a good, committed
front man. But all Myke talked about was playing guitar and didn’t seem as
interested in being a singer. We already had a guitarist and I knew that Myke
didn’t have a guitar amp… so up to this point, I had put off asking him to join
the band.
It was the second week of April when Myke called me very
excited. He told me that Greg Ginn of Black Flag gave him an amplifier to use.
I couldn’t believe it and was genuinely excited for him and I was even thinking
in the back of my mind that maybe he might be able to play guitar with our band
after all.
But as quickly as he had the amplifier, he lost it. It happened
in the early Monday morning hours of April 12, 1982 that a fire broke out in
the Bayview Hotel where Myke was staying. People woke in their sleep to the
smell of smoke and dashed out of the hotel in their pajamas. Myke, alongside
everyone else, ran out of the hotel leaving all of his possessions behind. At
the time he said that all you could hear were people screaming and running
towards the exits, so his immediate instinct was to get out of the building as quickly as possible.
Once he made his way through the hotel lobby doors and into the street, he realized that much of the hotel wasn’t visibly on fire yet. And when a woman was screaming that she still had a pet inside, Myke ran back
in for the woman’s small dog. After he made his second trip out of the building and returned the small pet to the woman, he thought that he might have enough time to
rescue some of his belongings but just as he decided to "chance it", the fire department showed up and wouldn’t
let anyone back in the building. He was forced to just stand there and watch
the hotel, with all of his possessions, burn to the ground. I remember him
taking me by the hotel the next day, and from Palm Street he pointed up to the
burned out wall and window of his room where you could see the side of the
Marshall guitar amp badly burned out with the four Black Flag bars visibly
spray painted on the side. Like most of the other hotel guests, he didn’t have
any form of insurance and the best the Bayview Hotel’s insurance could do was
to get him a room down the street at the Bay Shores Inn and give him several
hundred dollars to make up for a portion of what he lost in the fire. After
buying clothes and food, all he had left was enough money to buy a Gibson
“Mini-Paul” guitar. It was a nice cream colored guitar with rounded edges, but
he was back to square one in regards to an amplifier.
Bayview Hotel in Balboa on Fire in the Early Morning Hours of April 12, 1982 |
It was less than a week later that Myke, although a little
depressed about the fire, started to press me about starting a new band with
myself and Eric. He told me that someway, somehow, he had to get an amplifier
because royalties were owed to him by Posh Boy Records for the Rodney on the
ROQ song, and he wanted to use the royalties to put out a new record with his
next band on the Posh Boy label. This all sounded great to me and appeared to be the real
deal. So at that point I told him that maybe he could join Moral Sin as a
second guitarist and we could give it a try with his songs. I did tell him that
nothing could be done until I had the approval of the other band members. He
quickly agreed and said that he would get to work on trying to find another
amplifier.
I immediately mentioned the prospect of Myke joining the
band to the rest of the guys and the idea was received with mixed feelings.
Eric thought it was a great idea and that it would be a move in the right
direction, but Dave was not so optimistic. After I pressed the issue, Dave
reluctantly agreed and I was off to break the news to Myke.
I explained the delicate nature of his joining the band and
that Dave was not real excited about the idea. I also told Myke that since Dave
was a good friend of mine I didn’t want to do anything to jeopardize my
friendship with him. Myke was amiable and said that he would sing initially and
that he and Dave could share guitar responsibilities… We had another friend
named Paul Thiel who said that he might be interested in singing and so we
invited him to our first practice.
The only real band equipment I had besides the Fender
Musicmaster bass I had bought in March, was a small 15 watt bass practice amp, a
Rickenbacker 2 channel guitar amp, and a couple of Les
Paul copy guitars. Since Myke didn’t have a guitar amp and I didn’t have a real bass
amp, I decided that in the interim, we could both plug into the one
Rickenbacker amp with each of us using a separate channel.
The first practice happened on April 24, 1982 and was a
little disjointed to say the least. We couldn’t all meet at the same time so
Paul, Myke and I met early in the afternoon and went through some songs
together. Afterwards, I had to go to work so Myke and Paul then met with Eric
that evening and jammed together. After I finished work later that night, Myke
shared with me that he thought Eric was an amazing drummer and was really
excited to get this new band off the ground. We practiced one more time before
the end of the month, but Paul decided that it was too much work and didn’t
make it past the second practice. During this second practice with just Eric, Myke
and I, we recorded our first four songs on a small tape recorder. For some
reason Dave wasn’t at either of the first two practices but things went really
well and sounded full with only the three of us.
Every time I went to a punk show, it pumped me full of
enthusiasm for getting our band off the ground. I wanted to be on stage
performing and creating all the energy that surrounded a band’s live
performance. So every opportunity I had, I went to see my favorite groups play.
The Sex Pistols were one of my favorite bands, but after their break-up
following Sid Vicious’ death, the closest you could get was to see John Lydon
perform in PIL. That was… until the Professionals did a tour of the USA. I had
never heard of the Professionals at the time, but some of my friends told me
that Steve Jones and Paul Cook of the Sex Pistols were in the band, so we had
to go. I had a friend named John Liechty who was an amazing guitarist that
played with the ska band, Secret Service. He had an appreciation for all music
and said he would drive me and my friends Hayden Thais and Scott Murdock up to
the show.
John Liechty's Car |
The show was amazing… CH3 opened the show and they were
great. KROQ had been playing their song “You Make Me Feel Cheap” on the radio
constantly and they did a great live rendition. They were followed by the Flesh
Eaters who had John Doe and DJ Bonebreak from the band X in it as well as one
of the Alvin brothers from the Blasters. The Professionals came on as the
headliner and the crowd went crazy both in the pit and from the stage doing
dives. I did a number of stage dives as well until I took flight off of one of
the monitors and came down inconveniently between the bodies below and landed
directly on my elbow which immediately swelled up to the size of a large orange…
Fortunately, I didn’t break it.
On May 1st we had our first full practice with
Dave. Dave was learning Myke’s songs and was a little agitated as Myke had
seemingly taken control over the band. But he bit his lip and we made it
successfully through our set.
That night, Myke and I went to the Balboa Theater where two
films by the band “The Who” were playing… “The Kids Are Alright” and
“Quadrophenia”. We knew the guy in the projection booth and he played our tape
during the intermission figuring a nice healthy dose of punk rock would be good
for a crowd full of Mods. As it turned out we knew a lot of the people in the
crowd and we actually got rave reviews. Someone we knew brought a friend from
KROQ and he told us that we should contact Rodney Bingenheimer and that our
music was definitely up his alley. He suggested that we take our tape up to the
KROQ station in Pasadena, knock on the back door on a Saturday or Sunday night
and hand it directly to Rodney.
The main questions about the band that always seem to come up are "How did we come up
with the name Uniform Choice for the band?"... and, when was the exact moment
that we started to call the band by that name? Well, in the beginning of May we continued to practice together and in addition to several songs Myke had brought from Subservice, he and I had
started to collaborate on songs; I had written some riffs, and he added lyrics.
We also at this point discussed changing the name of the band from Moral Sin to Uniform
Choice. This is where we have to rewind about a year and go back to when Myke was still in Palm Springs working at his skateboard shop. While working there one day, Pete Nelson from Target 13 was hanging out killing time and without a word grabbed a pen and paper on the counter and scrawled on it "You Are The Uniform Choice" with an arrow pointed at Myke. To this day, Myke doesn't know why he did it, it just happened. And although he was a member of Subservice at that time, Myke embraced the name that Pete came up with and knew that if and when he started a new band, it would be called "Uniform Choice". He actually liked the name so much he wrote a song called Uniform Choice while he was still in Subservice. Once Subservice had disbanded in early 1982 and Myke moved to Newport, he was determined to find new musicians and form a band that would be called by that name. When Myke first introduced the name to me, we discussed how it
applied to us and our band, and
the way we saw it, the name Uniform Choice stood for two different ideals. One was a political understanding and the other was our right to freedom of expression. The first ideal had to do with the Cold War, and back then, everyone thought that Russia was going to “push the button” and we would see a nuclear war. Although we were not happy with our existing government, we knew that being under Russian communist rule would have been worse. We were choosing the uniform of the lesser of two evils as far as we were concerned and one of the first songs we played was our theme song “Uniform Choice” that directly addressed battling communist rule. The second ideal was that under the American constitution, we had the right to freedom of speech and we felt this also included the right to self expression. We knew that we, as punks, were being denied this right and we were openly discriminated against by everyone from local law enforcement to the general public. We felt that we had the right dress anyway we wanted and do what we wanted to do… in essence, as “Americans”, we had the right to choose any uniform we desired and the uniform we chose at that time was that which was found in the punk sub-culture... I know... a little corny, but at that age we thought we were really political.
the way we saw it, the name Uniform Choice stood for two different ideals. One was a political understanding and the other was our right to freedom of expression. The first ideal had to do with the Cold War, and back then, everyone thought that Russia was going to “push the button” and we would see a nuclear war. Although we were not happy with our existing government, we knew that being under Russian communist rule would have been worse. We were choosing the uniform of the lesser of two evils as far as we were concerned and one of the first songs we played was our theme song “Uniform Choice” that directly addressed battling communist rule. The second ideal was that under the American constitution, we had the right to freedom of speech and we felt this also included the right to self expression. We knew that we, as punks, were being denied this right and we were openly discriminated against by everyone from local law enforcement to the general public. We felt that we had the right dress anyway we wanted and do what we wanted to do… in essence, as “Americans”, we had the right to choose any uniform we desired and the uniform we chose at that time was that which was found in the punk sub-culture... I know... a little corny, but at that age we thought we were really political.
Since Dave and I were close friends, it was strange that he
wasn’t showing up to our practices and he was seemingly becoming more distant
from the project. I think he may have felt “slighted” and it became obvious
that he was looking for other bands to play with as he asked me on May 5th
to practice with another band that had him and another high school friend named
Morgan Livingston in it. After Dave and I practiced with the other band, he
took me up to Eric’s house where we all practiced with Uniform Choice until the
end of the night. Myke drove me home while Eric talked to Dave and it
was after that point that Dave was no longer in the band.
On May 12th Eric and I decided to go to see TSOL,
Flipper, the Mau Maus and the Abandoned play at the Country Club in Reseda. Eric said that he
would take as many people as he could get into his sky blue Chevy Vega that he
had spray painted with polka dots in a variety of colors. Every time he pulled
up, you would expect to see a clown exit the car. At school the day of the show,
we were asking all of our friends to see who wanted to go, but because it was a
school night we were only able to convince a girl named Gail to go and Eric’s
friend, Pat Dyson, who he was teaching how to play drums. Pat had
recently started playing with a punk band called Plain Wrap and it was a little less than a
year after this Country Club show that Eric quit and Pat made the move to start playing as the second drummer of Uniform Choice.
The show was awesome and was full of craziness including
multiple fights and guys doing dives from the top of the PA speaker stacks into
the crowd below. Pat Dyson remembered that somebody dumped a bucket of water
over Tony Cadena and he was so pissed off about it, he refused to play… so
although all the members of the Abandoned were there, they cancelled just
before playing. TSOL was good as usual but in my opinion, Flipper stole the
show. Ted came out on a dark stage under a lone spotlight, plugged his guitar
into his amp, struck a perfectly tuned chord and then walked up to the
microphone in the middle of the stage and said, “Hold on… I need to tune my
guitar”. He carefully took his guitar off pulling the strap over his head and
while looking upwards, crouched down and then launched his guitar up some 25
feet into the air where it came plummeting down with a crash onto the stage.
The guitar screamed and moaned with feedback while he gently picked it up
again. He then turned it face down to the floor and hurled it across the stage
so that it slid like a sled on the strings until it made a sudden impact with
the bass amplifier. The guitar wailed continuously with feedback as if it were
in terrible pain while Ted slowly made his way across the stage to retrieve it.
At this point he gently picked the guitar up again, this time pulling the strap
back over his head as he walked calmly up to the microphone. All the while, the
rest of the band had taken their positions under the cover of darkness awaiting
Ted’s signal. He strummed a terribly out of tune chord and then softly
announced, “Okay, we’re ready to go”. All the lights came up on the stage and
the band started their set. It was pure poetic chaos!
My Fender Bass Amplifier |
With only three of us in the band at the time, it was easy
to coordinate practices and so we practiced all the time at Eric’s house. Myke,
since he had sang previously in other bands, decided to sing for the time being
while playing guitar. I even sang a few songs and we were a power trio while
shopping for a
new lead singer. During this time, I borrowed a 4-Track recorder
from a school friend of mine named Bill Nord and we were able to start
recording some of our songs including the song “My Life”.
Early Song List from Band Practice |
After a little over a month of writing songs and practicing,
we had a dozen original songs under our belt including: Uniform Choice (Theme),
Non-Forgotten Hero, Anti-Fascism, Filthy Rich, Religion is Recruiting, My Life,
War is Here, Self Respect, Light Weight, On the Front Line, The World Evolves
and Don’t Take the Car which was our song speaking out against drinking and driving through a satirical spin-off of a PSA commercial that was running on local television at the time. We had tried practicing with two of our previous
singers that month, Paul Thiel and Scott Brandon. But as it turned out, both of
them were still undecided and neither one of them wanted to commit to the band
and so we found ourselves still looking for a singer as we entered the month of
June.
First Flyer Drawn in Pencil for June 5, 1982 |
It was at this time that I had approached a schoolmate named
Elliott Colla about singing for us. Elliott and I had some mutual friends and I
had heard him guest DJ on KUCI’s college radio station where he spun a lot of
punk and otherwise good underground music. Elliott seemed upbeat about the
prospect and on June 4th he came to his first practice with us. Elliott
had a decent voice, good tone and excellent timing. It seemed that we had found
our guy. We were supposed to play our first show at Balboa Theater on June 5th
but we cancelled it so we could focus on getting Elliott in shape for a real
debut of the band. We practiced with him the entire month of June and recorded
a number of songs with him.
Lft: Hanson and Elliott. Right: Myke. Lower (LtoR): Elliott, Hanson, Eric and Myke. |
In the middle of June, one of Myke’s former "Subservice" band mates from Palm Springs named Herb Lienau came out to visit and told us we
should play out in the desert. So Myke worked with him to make the preliminary
arrangements for us to play out there on the 4th of July. We also started to look around our area to
see what venues were available where we could play locally. The Cuckoo’s Nest had
been closed down for about six months but had reopened as the Concert Factory
sometime in the late spring of 1982. Myke and I talked to the owner,
and armed with a cassette recording of one of our practices, convinced them to
give us a gig there on July 6th.
My Original Ticket |
FEAR at the Whisky A Go-Go - June 25, 1982 |
Dead Kennedys at The Barn July 2, 1982 |
My Original Ticket From the Dead Kennedys Show |
Bad Religion on stage. Me getting ready for a dive back into the crowd. |
Dead Kennedys... Me just to the left of Jello. Everyone rushed the stage... me on the left, Jello on right |
Since Myke’s family owned a skateboard shop in Palm Springs,
Myke had met all the skater kids and local punks while growing up there. He had
apparently helped to coordinate some of the “desert shows” where they would set
up a stage in the middle of the desert with a generator and have bands play for
all the kids far away from local law enforcement. Myke would go to shows in Los
Angeles in 1981 and recruit bands to come out and play these desert shows. Sin
34 and Circle One were a couple of the bands he had arranged to perform there
and we would later reconnect with them to play some shows in and around the
greater Orange County and Los Angeles areas.
The next day was the 4th of July and we played the
“desert show” with a local Palm Springs band, Mutual Hatred, whose members
included Myke’s friend Sean Wheeler (Throwrag), and a few others who we had met
the night before. Our show went well and we were well received by the local desert punks.
Afterwards we packed our equipment and enjoyed the rest of the party
before we made our way to one of Myke’s friend’s places to sleep.
Early Uniform Choice Flyer - July 6, 1982 |
Original Ticket for the show |
The "Lotsa Dancing" Flyer - Aug 7, 1982 |
Original Uniform Choice Ticket for The Concert Factory |
Brent Turner 1982 |
We made the debut of this different line-up at our August 7,
1982 show at the Concert Factory with friends of ours who were in the band “The
Tailspinners”. Personally, I felt it was a little awkward and didn’t really
work, but we were willing to work on it and try it again at our next show. And
as The Concert Factory considered the show a success, they booked us to play
with another band called “The Factory” two weeks later on August 21st.
Uniform Choice flyer for Aug 21, 1982 at the Concert Factory |
But when we showed up to play the show on August 21st,
the club in its usual unorganized fashion, mixed up the bill and double booked our
slot with a heavy metal band called “Vengeance”. Once again we were unable to
play the show but we stuck around anyway just to make fun of the metal
nightmare that unfolded on stage. We and our punk friends mocked the band and
called ourselves the “Vengeance Army”. We even asked them for stickers and
autographs… It was hilarious as they thought we were serious.
Original Ticket for Uniform Choice - Aug 26, 1982 |
Uniform Choice Flyer - Sep 8, 1982 |
First Uniform Choice T-Shirt Logo |
Original Backdrop made from a Bed Sheet and Spray Paint |
The shows were becoming increasingly more violent and this one was no different. By the time Shattered Faith went on, the club filled up with wanna be “Oi Boys” from a local punk gang called “The League”.
Brent's Artwork on the back of a U.C. Flyer |
AKAI 4 Track Recorder |
Original Orange Peel Studios Song Track Listing Sheet |
Uniform Choice Recording Session on Sept. 18, 1982 |
Two of the songs that we recorded are on YouTube. Just click the links below to open a new window and watch the videos.
Uniform Choice - Don't Take The Car
Uniform Choice - War Is Here
Posh Boy Logo |
Optimistic with our first recording attempt, Myke immediately tried to contact the owner of Posh Boy Records, Robbie Fields. We wanted to arrange to get our demo to him so we could make a proper recording and release our first record. Myke figured he could convince Robbie to work with us in exchange for royalties owed for the Rodney on the ROQ song he had written in 1980 which appeared on Posh Boy’s “Rodney on the ROQ, Vol. 2” album. Robbie Fields proved to be very difficult to contact and I had assumed that he was dodging Myke’s calls possibly because he thought Myke was looking for money. We had heard at the time that Posh Boy Records hadn’t paid some of its “signed” artists and so some of the bands were upset with the record company. Ultimately, I can't remember exactly why we couldn't reach him... whether we had a number that no longer worked, or the phone just rang with no answer, or if we left a message with someone with no returned call... I do know that we finally resorted to meeting with
Rodney Bingenheimer |
Concert Factory Show - Sep 26, 1982 |
Just after the Shattered Faith and Dischords show, Elliott
decided that after four months he wanted to quit the band and so we were on the hunt again for a
new singer. Within a few days I had enlisted Eric Whittick who was a surfer I knew
from the Balboa area and he lived in a small apartment
in the Balboa Fun Zone. His room had a sliding glass door that actually opened
right on to the boardwalk between the Fun Zone and the Pavilion.
Eric Whittick joined the band the same day that we had a gig
in my old home town of Big Bear at the end of September. We were going to play
a party up there for a bunch of my friends that I had left behind the year
before. We piled all the equipment into my VW bus with Myke, Eric Whittick and I and
Brent and Eric our drummer rode with another friend of ours, Dave Shaw. It’s a
good thing that Dave drove as well because half way up the mountain, the fan
belt in my bus broke and we were stranded. Dave and Eric drove back down the
mountain to San Bernardino and bought a new fan belt. As it turned out, it was
not an exact fit, but we were able to limp up to the gig with my poor over
laden bus hauling all the cargo.
We arrived at the house and the party was already in full
swing with a number of familiar faces including several girls who didn’t really
give me the time of day before, but now they were all starry eyed. Brent
brought up his bass equipment as well and decided to play a second bass again
just for the hell of it. We all had a great time and the party went all night. A girl that I had always had a crush on ended up glued to me all night... And Eric Whittick,
Myke and a bunch of others ended up in my van for all kinds of other
shenanigans… to this day that VW is referred to as “the Orgasm Van”.
The day after we returned to Newport from Big Bear, Brent Turner announced that he was going back to Phoenix for a while but promised he would be back soon. Brent had stayed at my house for a good part of the summer until my dad came back from one of his trips and found that Brent had all of his stuff including dirty clothes all over the house. That was the last straw for my dad and Brent had to go. He was back to living in his car again and in the interim he found an occasional couch at either Myke’s or Eric’s place. Brent was unable to find a job or a place to live permanently so on September 27th he left California to move back to Arizona. It was only a temporary move until he got things together to make a second attempt at living in Orange County in December. The next time, he was successful and ended up working for the London Exchange on Newport Blvd. where he befriended the Vandals and later ended up playing all the bass tracks for them on their album “When in Rome, Do As the Vandals”.
The day after we returned to Newport from Big Bear, Brent Turner announced that he was going back to Phoenix for a while but promised he would be back soon. Brent had stayed at my house for a good part of the summer until my dad came back from one of his trips and found that Brent had all of his stuff including dirty clothes all over the house. That was the last straw for my dad and Brent had to go. He was back to living in his car again and in the interim he found an occasional couch at either Myke’s or Eric’s place. Brent was unable to find a job or a place to live permanently so on September 27th he left California to move back to Arizona. It was only a temporary move until he got things together to make a second attempt at living in Orange County in December. The next time, he was successful and ended up working for the London Exchange on Newport Blvd. where he befriended the Vandals and later ended up playing all the bass tracks for them on their album “When in Rome, Do As the Vandals”.
First Version of the Ukrainian Cultural Center Show Flyer |
Second Version of the Ukrainian Culture Center Show Flyer |
Mike Vallejo was really cool and he told us that he was
helping to put on a monster show at the end of the month in Whittier at the
T-Bird Roller Dome. He told us that a band had cancelled and that there may be
a slot for us in the show. He then told us he would come down and see our band
practice at Eric’s place the following week and let us know for sure… and then
if it was a go, he would inform us as to what slot we had. Once we had business
taken care of, we turned our attention to the bands inside the Ukrainian
Cultural Center. We had been talking outside during the earlier bands Pretty
Ugly and the Panty Shields but we did get to see Flipper and T.S.O.L. in front
of a sold out crowd.
Flipper was good as usual with their slower paced industrial
punk sound, but T.S.O.L. stole the show. They worked the crowd into a frenzy.
Toward the end of the set, Jack pulled me up on stage to sing Superficial Love
while he ran off to use the bathroom. After the song, he came back on stage at
which point I tossed him the microphone and then ran and launched myself off
one of the monitors into the crowd below. It was a great night!
The next week Eric Whittick quit the band. But Myke ended up
driving to Pico Rivera anyway to pick up Mike Vallejo and one of his friends to
bring them to the practice at our drummer’s house. We all crammed into Eric’s
small bedroom and Myke, Eric and I went through our set with Myke and I both
singing. Mike V. told us it sounded good and that we would be playing Saturday,
October 30th on the same bill with Black Flag, CH3, Bad Religion and
a number of other west coast punk bands. We were excited as this was our first
big show and we counted down the days. After our practice, Myke took Mike V.
and his buddy back to Pico Rivera but ran out of gas about 10 or 15 miles short
of where Mike V. lived. I can’t remember how Myke got gas and finally made it back to Newport but Mike V. and his friend ended up walking the rest of the way home.
T-Bird Roller Dome Show - October 1982 |
Uniform Choice Set List from the Roller Dome Show |
The venue was a large auditorium that was the home of a
local ladies roller derby team known as the T-Birds. I had seen them on UHF Channel
52 occasionally but had never been to the Roller Dome before to see them live.
The auditorium had no stationary chairs and only a roller derby track in the middle
of the vast, open room. The track was in the shape of an oval that was banked
and had high inclines in the turns. The stage was unique to say the least as it
was a massive riser set up in the center of the oval roller derby track. During
some of the later performances, a number of punks got onto the track and rode
bicycles and skateboards around it. At one point somebody introduced a couple
of bowling balls into the mix and an impromptu game of “Roller Ball” broke out
with bicycles towing skateboarders with bowling balls who were trying to “take
out” others going around the track. It was awesome!
We went on just before the band Crankshaft at about 4:00 in
the afternoon. It had started to rain outside just before we began so
everyone came inside to escape the weather. We played a quick set of about ten
songs but we were well received and we felt good about the show. Immediately
after we finished our last song, we rushed all of our equipment off the stage
so that Crankshaft could get on and get started. They were cool guys and even
though I hadn’t heard them before, they were one of my favorite bands that played that day.
Uniform Choice on stage at the T-Bird Roller Dome Show (Photo Credit: Marla Watson) |
The next two weeks after the show we tried a new singer
named Jeff Webb who was a friend of mine. He was a comedic singer but really
didn’t fit our image. So we continued our search...
During the course of the year, the Mod and Ska movement had
been taking off and so seeing Mods riding scooters around the southland became
more prevalent. Many of them would come down to Newport Beach for scooter
rallies and parties. Since we lived and worked there, we met a lot of the Mods
and even though we were punks, they invited us to some of their parties. At
least they were easier to get along with than the Oi Boys who were always
looking for a fight.
In mid-November, Myke and I went to a Mod party where we met
a girl named Jennifer Harper. We talked with her all night about music, and even though
she was only 14 or 15 years old, she knew everything there was to know about
punk rock. Two days later she was at our practice to audition for the band, and afterwards
we all agreed that we sounded overwhelmingly like an offshoot of X-Ray Spex and
welcomed her as our newest addition.
Hanson and Jenny at UC Band Practice |
Brent Turner moved back from Arizona in the middle of
December and found a place to live above London Exchange on Newport Blvd. The
owner, Craig McGehey, also gave Brent a job there where Brent sold punk records and clothing. This is also where he later met the
Vandals and went on to record with them on their album “When in Rome, Do as the
Vandals”.
Jennifer Harper 1983 |
Uniform Choice Set List from the Show Jan 7, 1983 |
Last Show w/ Original Line Up |
A couple of particular interesting notes of coincidence… Exactly one year to the date... after we had played the very first show as
Uniform Choice in Palm Springs on July 4th, 1982, Myke Bates and his new line up
of Uniform Choice members played their first show together on July 4th,
1983, in Huntington Beach. The second coincidence is that our core group of members in the original line-up was completely alcohol and drug free. We never called ourselves "Straight Edge" and this label was not put on the band until the next line-up of members. We each had our own reasons at the time for being drug and alcohol free, and as far as I know Eric Hanna was the only one who never succumbed to any such vice. I can't speak for Myke or Elliott, but I to this date have never done drugs and I waited until after I was 21 before I started drinking alcohol. We weren't necessarily trying to be "Straight Edge" and never coined ourselves as such, but it was just a common lifestyle that we shared.
Soon after that last show together in May, I lost contact with Myke. But according to
Pat Dyson, Myke continued to play with Uniform Choice through the end of 1983 until
one day Myke didn’t show up to practice. Myke had always told me that he wanted
to transition to Los Angeles to work with a relative who built sets for movies and he
apparently decided one day to make the move. Uniform Choice continued to play
and gain popularity without Myke, writing nearly all new songs. The only song
from the original line-up to make it into the new version of Uniform Choice’s
first recordings was the song “I’m Despised” that was written by Myke Bates and
I. I wrote the music and Myke wrote the lyrics. The only difference was that
Pat Dubar re-wrote the lyrics and the name of the song changed from “I’m
Despised” to “Walls” as it appears on the first Demo EP released in 1984 by the
“new line-up” of Uniform Choice.
Pat Dubar, Pat Dyson, Vic Maynez and Dave Mello in 1984 |
The New Uniform Choice Logo |
Uniform Choice went on to play many shows over the years. If you would like to see all the shows, flyers, and significant band milestones in chronological order from beginning to end, then check out this blog by Hector Kirkwood: Uniform Choice: Chronological History
Great history!
ReplyDeleteI grew up in Balboa, worked on the Balboa Island Ferry and know all the places you mentioned. I'm also a big Uniform Choice fan so it's awesome to hear about the connection between two things I love.
I hang out with Scott Woods and Tom Springsten ("TomTom") from time to time. Both are still actively playing music. Tom plays and releases music under the name Canbe.
Burnt Party Host still plays occasionally. In fact, they played at the Blue Beet by the Newport Pier last night.
Fascinating read, Hanson.
ReplyDeleteIt's extremely interesting hearing what was going on at the beach in 1982 when I was keeping well out of the way due to my well known conflict with TSOL at the time (which didn't end until 1987).
Unfortunately, all the information you were getting about me was from Myke Bates, someone who I genuinely liked. In fact, for most of the 1980s I was looking for him! I never even heard about his move to the beach, so when I started spending time in the Desert from the mid 80s onwards I always asked after him.
In 1982, though I kept out of O.C. I was still working out of my office in Hollywood at the ALCO pressing plant. I was not difficult to find. Indeed, I had breakfast with Rodney at Denny's almost every day at 1 p.m.!
As you undoubtedly know we did the third volume of the Rodney compilation in late 1982. Why would I not welcome the opportunity to work with Bates' new band? He would not need to horse trade to get on the next record ... I'm sure you had at least one good song for us to produce. That said, by 1982 we were insisting on securing rights to at least one 12" for any new band we recorded. It proved a silly policy as by 1983 we were bust, financially.
The bottom line is that I don't ever remember being given a demo tape of yours. Of course, my memory is nowhere near as good as yours, judging from your blog entry!
Robbie,
DeleteThanks for posting your comment. It's amazing that punk rock has survived the test of time and there are so many people interested in what happened back then. As for Myke Bates, I was out of contact with him for nearly 30 years until I finally tracked him down just about a month ago to see if he was okay about releasing our original 1982 demo in the next few months.
I wrote the portion about us trying to contact you based on my own memory and snipets from notes I had written in my diary... and as I recall, Myke never had anything negative to say about you personally, After reading your comments and rereading what I had written in my blog, I realized it came off a bit strong so I rewrote that portion and softened the tone a bit. I originally wrote it remembering the way I personally felt about the record industry based on what I had experienced and from what I was hearing from others at the time. I just remember a feeling of frustration as we were excited to get a record to Rodney knowing that bands were made seemingly overnight by Rodney giving them airplay and for whatever reason we couldn't get in touch with you to start the process...
Now knowing that you would have been open to giving it a listen with the prospect of releasing a full length album makes me wonder what would have happened if we were able to connect back then...
Sorry, Hanson, that I missed your gracious response.
ReplyDeleteYes, what might have been. Now that you've released those 1982 demos (as of 2015) I will spend some time listening and see if I can pick the song I would have produced for you and how I would have produced it!
Mychael is my uncle.
ReplyDelete